In case it isn't obvious, the car-to-screeching noise is the most creative thing in GP1. The bass designs are like candy to my ears—sweet and addicting. There is good transitioning (especially at 02:08) and punchy kicks. The orchestral nature of the track is very nice, especially the outro. Surprisingly, the sounds work well together composition-wise. The synth leads are quieter in the first drop when combined with the basses. On a macro level, this becomes an issue as well. That is the volume differential between the 1st and the 2nd/3rd drops. I am aware that this is a co-op issue. It's okay that the music has a variety of snares. However, the first drop snare can be more forceful. From personal experience, when making screeching basses, dubstep producers tend to have it as a secondary element, with rhythmic (4th-note) basses serving as the dominant element.s. And I agree with them. Without those pulsing and rhythmic basses, the drop can sound empty and even weak. I haven't been able to make out what the outro was about. Was it a victory theme? It doesn't sound like one to me. Overall, the track works in a race and has some arctic elements such as the bells and LDnB genre.